New York Philharmonic Orchestra - New York Philharmonic 175th Anniversary Edition
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weiter Informationen zu New York Philharmonic Orchestra - New York Philharmonic 175th Anniversary Edition
- EAN: 0889853363629
- Veröffentlichungsdatum: 17.03.2017
- Label: Sony Classical (Sony Music)
- Format: Box-Set Audio CD
CD-Titel New York Philharmonic Orchestra - New York Philharmonic 175th Anniversary Edition
- Der fliegende Holländer, WWV 63: Overture
- Der Held
- Des Helden Widersacher
- Des Helden Gefährtin
- Des Helden Walstatt
- Des Helden Friedenswerke
- Des Helden Weltflucht und Vollendung
- Le rouet d'Omphaie, Poeme Symphonique in A Major, Op. 31 - Philharmonic Symphony Orchestra of New York / New York Philharmonic Orchestra
- Raymond - Overture
- Symphony No. 9 in E Minor, Op. 95: II. Largo
- I. Allegro con brio
- II. Marcia funebre. Adagio assai
- III. Scherzo - Allegro vivace
- IV. Finale - Allegro molto
- Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
- A Victory Ball - Fantasy for Orchestra
- I. Allegro con brio (Live)
- II. Andante con moto (Live)
- III. Allegro (Live)
- IV. Allegro (Live)
- I. Poco sostenuto - Vivace
- II. Allegretto
- III. Presto
- IV. Allegro con brio
- Theme - Andante
- Variation I, Poco piu animato
- Variation II, Piu vivace
- Variation III, Con moto
- Variation IV, Andante con moto
- Variation V, Vivace
- Variation VI, Vivace
- Variation VII, Grazioso
- Variation VIII, Presto non troppo
- Finale - Andante
- I. Adagio - Presto
- II. Andante
- III. Menuet (Allegretto) - Trio
- IV. Finale - Vivace
- I. Allegro con spirito
- II. Andante
- III. Menuetto - Trio
- IV. Finale - Presto
- Scherzo
- Nocturne
- L'apprenti sorcier
- Act II : Dance of the Blessed Spirits
- Overture
- Overture
- Overture
- Prelude to Act I
- Prelude to Act III
- Siegfried Idyll
- Dawn and Siegfried's Rhine Journey
- Act I: Prelude
- Act III: Prelude
- I. Adagio molto - Allegro vivace
- II. Andante
- III. Menuetto - Allegro vivace
- IV. Allegro
- I. Allegro non troppo
- II. Adagio non troppo
- III. Allegretto grazioso - Presto ma non assai
- IV. Allegro con spirito
- I. Andante ma non troppo - Allegro energico
- II. Andante
- III. Scherzo: Allegro
- IV. Finale - Allegro moderato
- I. Allegretto
- II. Tempo andante ma rubato
- III. Vivacissimo - Lento e suave
- IV. Finale: Allegro moderato
- Roman Carnival Overture, Op. 9
- La Valse
- Introduction
- Theme: Don Quixote, the Knight of th eSorrowful Countenance
- Sancho Panza
- Variation I: The Adventure with the Windmills
- Variation II: The Battle with the Sheep
- Variation III: Dialogue of Knight and Squire
- Variation IV: The Adventure with the Penitents
- Variation V: The Knight's Vigil
- Variation VI: The False Dulcinea
- Variation VII: The Ride Through the Air
- Variation VIII: The Adventure of the Enchanted Boat
- Variation IX: The Combat with the Two Magicians
- Variation X: The Defeat of Don Quixote by the Knight of the White Moon
- Finale: The Death of Don Quixote
- Part One - The Adoration of the Earth - Introduction
- The Augurs of Spring - Dances of the Young Girls
- Game of Abduction
- Spring Round Dances
- Games of the Rival Tribes
- Procession of the Oldest-and-Wisest
- Adoration of the Earth - The Oldest-and-Wisest
- Dance of the Earth
- Part Two - The Sacrifice - Introduction
- Mystical Circles of the Young Girls
- Glorification of the Chosen Victim
- Summoning of the Ancestors
- Ritual of the Ancestors
- Sacrificial Dance - The Chosen Victim
- I. [q = 160]
- II. Andante - Interlude - L'istesso tempo
- III. Con moto
- I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima
- II. Allegro con grazia
- III. Allegro molto vivace
- IV. Finale. Adagio lamentoso - Andante
- I. Gigue (Allegro) KV 574 for piano
- II. Menuet. Moderato
- III. Preghiera
- IV. Theme et variations. Allegro giusto
- I. Largo - Allegro molto
- II. Allegro molto
- III. Adagio
- IV. Allegro vivace
- Scene 1 and Scene 2 (Beginning)
- Scene 2 (Conclusion - Du verstössest mich?) and Scene 3 (Beginning)
- Scene 3 (Conclusion - Wohl taugte dir nicht die thör'ge Maid)
- I. Tempo molto moderato, quasi adagio
- II. Allegro molto vivace
- III. Il tempo largo
- IV. Allegro
- I. Andante
- II. Allegro marcato
- III. Adagio
- IV. Allegro giocoso
- I. Allegro - New York Philharmonic Orchestra / Kostelanetz, Andre
- II. Andante con moto
- III. Allegro agitato
- I. Proclamation
- II. Sermon
- III. A Little Bit of Sin
- IV. Protest
- V. Jubilee
- I. Allegro con brio
- II. Marcia funebre - Adagio assai
- III. Scherzo - Allegro vivace
- IV. Finale - Allegro molto
- I. Allegro con brio
- II. Andante con moto
- III. Scherzo - Allegro
- IV. Finale - Allegro
- I. Bedächtig. Nicht eilen
- II. In gemächlicher Bewegung. Ohne Hast
- III. Ruhevoll
- IV. Sehr behaglich (Soprano Solo: Wir geniessen die himmlischen Freuden from 'Des Knaben Wunderhorn')
- Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
- II. Sturmisch bewegt. Mit grosster Vehemenz
- Part II: III. Scherzo - Kräftig, nicht zu schnell
- Part III, IV. Adagietto - Sehr langsam
- V. Rondo-Finale. Allegro
- I. Allegro con brio
- II. Adagio
- III. Allegretto grazioso - Molto vivace
- IV. Allegro ma non troppo
- The Moldau (Vltava) Symphonic Poem No. 2 from 'My Fatherland' (Ma Vlast) - Instrumental
- I. Adagio - Allegro
- II. Andante con moto
- III. Menuetto. Allegretto - Trio
- IV. Finale. Allegro
- I. Molto allegro
- II. Andante
- III. Menuetto. Allegretto - Trio
- IV. Allegro assai
- I. Allegro vivace
- II. Andante cantabile
- III. Menuetto - Allegretto - Trio
- IV. Molto Allegro
- I. Adagio - Allegro moderato
- II. Poco adagio
- III. Allegro moderato - Presto
- IV. Maestoso - Allegro
- I. Allegro maestoso
- II. Andante
- III. Allegro vivace assai
- I. Allegro
- II. Moderato
- III. Scherzo
- IV. Epilogue
- Fantasia on Greensleeves
- I. Majeste du Christ demandant sa gloire a son Pere
- II. Alleluias sereins d'une ame qui desire le ciel
- III. Alleluia sur la trompette, alleluia sur la cymbale
- IV. Priere du Christ montant vers son Pere
- Siegfried's Rhine Journey
- Siegfrieds Funeral March
- Philharmonic Waltzes
- Le rouet d'Omphale, Op. 31
- La procession nocturne, Op. 6
- La jeunesse d'Hercule - Poeme symphonique
- Phaeton, Poeme symphonique, op. 39
- Peloponnisiakos
- Epirotikos
- Hostianos
- Kleftikos
- Act I, Scene I: The Captain's room (Captain, Wozzeck) (Live) - New York Philharmonic Orchestra / High School of Music and Art Chorus / Chorus of The Schola Cantorum
- Act I, Scene II: A field, with the city in the distance (Wozzeck, Andres)
- Act I, Scene III: Marie's room (Marie, Margret, Wozzeck)
- Act I, Scene IV: The Doctor's study (Doctor, Wozzeck)
- Act I, Scene V: Street in front of Marie's house (Marie, Drum Major)
- Act II, Scene I: Marie's room (Marie, Wozzeck)
- Act II, Scene II: City street (Captain, Doctor, Wozzeck)
- Act II, Scene III: Street in front of Marie's house (Marie, Wozzeck)
- Act II, Scene IV: Tavern garden (First and Second Workers, Wozzeck)
- Act II, Scene V: The barracks guardroom (Wozzeck, Andres, Drum Major, Soldier)
- Act III, Scene I: Marie's room (Marie) - New York Philharmonic Orchestra / High School of Music and Art Chorus / Chorus of The Schola Cantorum
- Act III, Scene II: Forest path by a pond (Marie, Wozzeck)
- Acti III, Scene III: An inn (Wozzeck, Margret, Villagers)
- Act III, Scene IV: Forest path by a pond (Wozzeck, Captain, Doctor)
- Act III, Epilogue - Scene V - Street in front of Marie's house (Children playing)
- Szene I.: 'Hier hinein? Man sieht den Weg nicht'
- Szene II: 'Ist das noch der Weg?'
- Szene III: 'Da kommt ein Licht!..'
- Szene IV: 'Er ist auch nicht da...'
- Szene IV: ' Das Mondlicht...nein dort...'
- Szene IV: 'Nein, das ist doch nicht möglich...'
- Szene IV: ' Du siehst wieder dort hin!..'
- Szene IV: 'Morgen trennt uns...'
- Symphonic Elegy for String Orchestra (In Memoriam of Anton Webern)
- I. Allegro moderato
- II. Scherzo - Molto vivo
- III. Andante
- IV. Finale - Allegro
- In the Steppes of Central Asia
- I. In a Mountain Pass. Allegro moderato - Moderato assai - Tempo I
- II. In a Village. Larghetto - Allegretto grazioso - Tempo I
- III. In a Mosque. Adagietto
- IV. Procession of the Sardar. Allegro moderato. Tempo marziale
- I. Andante languido
- II. Allegro volando
- III. Lento
- IV. Allegro - Allegro dramatico
- V. Lento
- VI. Allegro volando
- VII. Lento
- VIII. Allegro molto - Leggierissimo - Volando
- Promethee, le poeme du feu, Op. 60
- I. Introduzione e fuga
- II. Divertimento
- IV. Marche miniature
- V. Scherzo
- VI. Gavotte
- I. Moderato
- II. Allegro
- III. Allegretto
- IV. Andante, Allegro
- Verklärte Nacht, Op. 4
- Montagues and Capulets (No. 1 from Suite No. 2, Op. 64ter) - New York Philharmonic Orchestra / Mitropoulos, Dimitri
- Juliet, the Young Girl (No. 2 from Suite No. 2, Op. 64ter)
- Folk Dance (No. 1 from Suite No. 1, Op. 64bis)
- Masks (No. 5 from Suite No. 1, Op. 64bis)
- Romeo and Juliet (No. 6 from Suite No. 1, Op. 64bis)
- Death of Tybalt (No. 7 from Suite No. 1, Op. 64bis)
- Romeo at Juliet's before Parting (No. 5 from Suite No. 2, Op. 64ter)
- Friar Laurence (No. 3 from Suite No. 2, Op. 64ter)
- Romeo at the Grave of Juliet (No. 7 from Suite No. 2, Op. 64ter)
- Slavonic March, Op. 31
- Night On Bald Mountain - New York Philharmonic Orchestra / Mitropoulos, Dimitri
- Fantasia On A Theme by Thomas Tallis
- Part I - a) The Prologue
- Part I - b) The Seven Ages (Variations I-VII)
- Part I - c) The Seven Stages (Variations VIII-XIV)
- Part II - a) The Dirge
- Part II - b) The Masque
- Part II - c) The Epilogue
- I. Andante moderato
- II. Allegro
- III. Adagio cantabile
- IV. Lento maestoso
- V. Allegro molto vivace
- Premiere partie - L'Adoration de la terre (Part One - Adoration of the Earth): Introduction. Lento - 1913 Version
- Les augures printaniers (Danses des adolescentes) [The Augurs of Spring (Dance of the Young Girls)] - 1913 Version
- Jeu du rapt (Mock Abduction) - 1913 Version
- Rondes printanieres (Spring Round Dances) - 1913 Version
- Jeux des cites rivales (Games of the Rival Tribes) - 1913 Version
- Cortege du Sage (Procession of the Wise Elder) - 1913 Version
- Adoration de la terre (Le Sage) [Adoration of the Earth (The Wise Elder)] - 1913 Version
- Danse de la terre (Dance of the Earth) - 1913 Version
- Seconde partie - Le Sacrifice (Part Two - The Sacrifice): Introduction. Largo - 1913 Version
- Cercles mysterieux des adolescentes (Mystical Circles of the Young Girls) - 1913 Version
- Glorification de l'Elue (Glorification of the Chosen Victim) - 1913 Version
- Evocation des ancetres (Summoning of the Ancestors) - 1913 Version
- Action rituelle des ancetres (Ritual of the Ancestors) - 1913 Version
- Danse sacrale (L'Elue) [Sacrificial Dance (The Chosen Victim)] - 1913 Version
- Introduction
- The Firebird and its Dance
- Variation of the Firebird
- The Princesses' Round
- Infernal Dance of King Kashchei
- Lullaby
- Finale
- I. Sinfonia (Ouverture). Allegro moderato
- II. Serenata. Larghetto
- III. a) Scherzino
- III. b) Allegro
- III. c) Andantino
- IV. Tarantella. dotted half note = 88
- V. Toccata. Allegro
- VI. Gavotta (con due variazioni). Allegro moderato
- Variazione I. Allegretto
- Variazione II. Allegro piu tosto moderato
- VII. Vivo (Duetto)
- VIII. a) Minuetto. Molto moderato
- VIII. b) Finale. Allegro assai
- No. 1: Gigues
- No. 2: Iberia : I. Par les rues et par les chemins
- II. Les parfums de la nuit
- III. Le matin d'un jour de fete
- No. 3: Rondes de printemps
- Premiere rhapsodie, L. 116
- Pavane pour une infante defunte, M. 19
- I. Pavane de la belle au bois dormant
- II. Petit poucet
- III. Laideronnette - Imperatrice des pagodes - Mouvement de marche
- IV. Les entretiens de la Belle et de la Bete
- V. Le jardin feerique
- L'Apprenti sorcier
- I. Prelude a la nuit
- II. Malagueña
- III. Habañera
- IV. Feria
- I. Asie
- II. La Flute enchantee
- III. L'Indifferent
- The Barber of Seville: Overture
- Overture 'The Italian Girl in Algiers: Overture
- Guillaume Tell: Overture
- La gazza ladra: Overture
- La scala de seta: Overture
- I. Moderato
- II. Allegretto
- III. Largo
- IV. Allegro non troppo
- Symphony No. 3 (in one movement) [1937]
- Romeo and Juliet - Overture-Fantasy - Bernstein, Leonard / New York Philharmonic Orchestra
- Capriccio Italien, Op. 45 - Bernstein, Leonard / New York Philharmonic Orchestra
- Slavonic March, Op. 31 - Bernstein, Leonard / New York Philharmonic Orchestra
- Festival Overture in E-Flat Major, Op. 49 '1812 Overture'
- I. Overture. Allegro giusto
- a) Marche. Tempo di marcia viva
- b) Danse de la Fee Dragee - Andante non troppo
- c) Danse Russe (Trepak) - Tempo di trepak, molto vivace
- d) Danse Arabe - Allegretto
- e) Danse Chinoise - Allegro moderato
- f) Danse des Mirlitons - Moderato assai
- III. Valse des Fleurs - Tempo di valse
- I. Tempo di valse ma non troppo, quasi moderato
- II. Andante - Allegro
- III. Allegro moderato
- IV. Coda. Allegro molto vivace
- No. 10. Scene. Moderato (Act II)
- I. Tempo di valse
- II. Moderato assai - Molto piu mosso
- IV. Allegro moderato
- V. Pas d'action. Andante - Allegro
- VI. Tout le monde danse. Tempo di valse
- VII. Coda. Allegro vivo
- No. 15. Allegro giusto (Act III)
- No. 20. Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace (Act III)
- No. 21. Danse espagnole. Allegro non troppo (Tempo di bolero)
- No. 22. Danse napolitaine. Allegro moderato - Presto (Act III)
- No. 23 Mazurka. Tempo di mazurka (Act III)
- The Sleeping Beauty, Op. 66: Act I. Valse - Allegro (Tempo di valse)
- Eugene Onegin, Act III: Polonaise
- Peter and the Wolf, Op. 67 - New York Philharmonic Orchestra / Bernstein, Leonard
- I. Introduction et Marche royale du Lion
- II. Pouls et Coqs
- III. Hemiones
- IV. Tortues
- V. L'Elephant
- VI. Kangourous
- VII. Aquarium
- VIII. Personnages a longues oreilles
- IX. La Coucou au fond des bois
- X. Voliere
- XI. Pianistes
- XII. Fossiles
- XIII. Le Cygne
- XIV. Finale
- Theme A: Allegro maestoso e largamente (Full Orchestra)
- Theme B: (Woodwinds)
- Theme C: (Brass)
- Theme D: (Strings)
- Theme E: (Percussion)
- Theme F: (Full Orchestra)
- Variation A: (Piccolo & Flutes)
- Variation B: Lento (Oboes)
- Variation C: Moderato (Clarinets)
- Variation D: Allegro alla marcia (Bassoons)
- Variation E: Brillante - alla polacca (Violins)
- Variation F: Meno mosso (Violas)
- Variation G: (Cellos)
- Variation H: Comminciando lento ma poco a poco accel. (Double basses)
- Variation I: Maestoso (Harp)
- Variation J: L'istesso tempo (French Horns)
- Variation K: Vivace (Trumpets)
- Variation L: Allegro pomposo (Trombones & Tuba)
- Variation M: Moderato (Percussion)
- Fugue: Allegro molto (Full Orchestra)
- I. Adagio - Allegro molto
- II. Largo
- III. Scherzo. Molto vivace
- IV. Allegro con fuoco
- The Moldau (Vltava) - Symphonic Poem No. 2 from 'My Fatherland (Ma Vlast)
- Leonore Overture No. 3, Op. 72a
- Tragic Overture, Op. 81: Allegro ma non troppo
- Academic Festival Overture, Op. 80
- Overture to 'The Bartered Bride'
- Carnival Overture, Op. 92
- No. 1 in C Major. Presto
- No. 3 in A-Flat Major. Poco allegro
- Overture to Candide: Allegro molto con brio
- I. Prologue (Allegro moderato)
- II. Somewhere (Adagio)
- III. Scherzo (Vivace leggiero)
- IV. Mambo (Meno presto)
- V. Cha-Cha, 'Maria' (Andantino con grazia)
- VI. Meeting Scene (Meno mosso)
- VII. Fugue, 'Cool' (Allegretto)
- VIII. Rumble (Molto allegro)
- X. Finale (Adagio)
- Andante (with dignity) - Presto barbaro Presto barbaro
- Adagio - Allegro molto agitato - Alla breve (Poco piu mosso) - Presto come prima
- Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
- Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Anco
- Allegro non troppo, molto marcato - Poco piu sostenuto - Moving Forward - Meno mosso
- A tempo
- Buckaroo Holiday - Allegro con spirito
- Corral Nocturne - Moderato
- Saturday Night Waltz - Introduction - Slow Waltz
- Hoe-Down
- Introduction. The open Prairie
- Street in a Frontier Town
- Mexican Dance and Finale
- Prairie Night (Card game at night)
- Gun Battle
- Celebration (after Billy's capture)
- Billy's Death
- The open Prairie again
- I. Molto moderato - with simple expression
- II. Allegro molto
- III. Andantino quasi allegretto
- IV. Molto deliberato
- I. De l'aube a midi sur la mer
- II. Jeux de Vagues
- III. Dialogue du Vent et de la Mer
- Prelude a l'apres-midi d'un faune, L. 86
- Jeux, L. 126 - Bernstein, Leonard / New York Philharmonic Orchestra
- I. Nuages - Modere - Un peu anime
- II. Fetes
- Symphony No. 3 in D Minor: I. Kräftig - Remastered
- II. Tempo di Menuetto - New York Philharmonic Orchestra / Women's Chorus of The Schola Cantorum / Boys' Choir of The Church of The Transfigurati
- III. Comodo. Scherzando
- IV. Sehr langsam; Misterioso
- V. Lustig im Tempo und keck im Ausdruck
- VI. Langsam
- I. Vivace assai
- II. Allegretto
- III. Menuet - Trio
- IV. Finale. Vivace
- I. Allegro spiritoso
- II. Andante
- III. Menuet. Allegretto - Trio
- IV. Finale. Vivace
- Andante sostenuto
- How sweet the moonlight
- Look how the floor of heaven is thick
- Come, Ho! And Wake Diana With a Hymn!
- I Am Never Merry When I Hear Sweet Music
- Music! Hark!
- How Many Things By Season
- Soft Stillness And The Night
- Veni, creator spiritus! (Live) - New York Philharmonic Orchestra / Schola Cantorum of New York / Juilliard Chorus, The / Columbus Boychoir
- Imple superna gratia (Live)
- Infirma nostri corporis (Live)
- Tempo I. (Allegro, etwas hastig) (Live)
- Infirma nostri corporis (Live)
- Accende lumen sensibus (Live)
- Qui Paraclitus deceris (Live)
- Gloria Patri Domino (Live)
- Connotations for Orchestra
- The Star-Spangled Banner
- Symphony No. 2 in C Minor 'Resurrection': I. Allegro maestoso - Remastered
- II. Andante moderato - New York Philharmonic Orchestra / Collegiate Chorale
- III. In ruhig fliessender Bewegung - New York Philharmonic Orchestra / Collegiate Chorale
- IV. 'Urlicht'. Sehr feierlich, aber schlicht
- V. Im Tempo des Scherzos. Wild herausfahrend
- Nun will die Sonn so hell aufgehn
- Nun seh ich wohl, warum so dunkle Flammen
- Wenn dein Mütterlein
- Oft denk ich, sie sind nur ausgegangen
- In diesem Wetter
- I. Morning Mood (Allegretto pastorale)
- II. Ase's Death (Andante doloroso)
- III. Anitra's Dance
- IV. In the Hall of the Mountain King
- I. The Abduction of the Bride. Ingrid's Lament (Allegro furioso - Andante doloroso)
- II. Arabian Dance (Allegretto vivace)
- III. Peer Gynt's Return Home (Allegro agitato)
- IV. Solvejg's Song (Andante - Allegretto tranquillamente)
- Norwegian Dance, Op. 35, No. 2
- Lyric Suite, Op. 54, No. 3: March of the Trolls
- Lento
- Andante molto sostenuto
- Finlandia, Op. 26 (Tone Poem)
- I. Dreams, Passions
- II. A Ball
- III. Scene in the Meadows
- IV. March to the Scaffold
- V. Dream of a Witches' Sabbath
- Benvenuto Cellini, Op. 23 Overture
- La damnation de Faust, Op. 24: Rakoczy March 'Hungarian March'
- Allegro assai con fuoco - Andante sostenuto - Tempo I. Allegro vivace - Bernstein, Leonard / New York Philharmonic Orchestra
- An American in Paris
- I. Wedding March: Moderato molto
- II. Bridal Song: Allegretto
- III. Serenade - Allegro moderato scherzando
- IV. In the Garden: Andante - Poco piu lento
- V. Finale: Dance - Allegro molto
- Molto Adagio
- I. Allegro
- II. Andante
- III. Presto in moto
- To Thee Old Cause (Evocation for Oboe, Brass, Timpani, Piano and Strings)
- Vigoroso
- Lento (bar 185)
- I. Allegro
- II. Poco allegretto
- III. Poco adagio quasi andante
- IV. Allegro
- I. Tempo giusto - Adagio non troppo*
- II. Allegro - Andante un poco tranquillo
- I. Mars, the Bringer of War
- II. Venus, the Bringer of Peace
- III. Mercury, the Winged Messanger
- IV. Jupiter, the Bringer of Jollity
- V. Saturn, the Bringer of Old Age
- VI. Uranus, the Magician
- VII. Neptune, the Mystic
- Fantasia on a Theme by Thomas Tallis for Double String Orchestra
- Fantasia on Greensleeves
- Pomp and Circumstance, Op. 39 Military March No. 1 in D Major - Camerata Singers / Bernstein, Leonard / New York Philharmonic Orchestra
- Section I - New York Philharmonic Orchestra / Swingle Singers, The
- Section II
- Section III
- Section IV
- I
- II
- III
- IV
- I. Dedication
- II. The Garden of Live Flowers
- III. Jabberwocky
- IV. Looking Glass Insects
- V. The White Knight
- Vorspiel - New York Philharmonic Orchestra / Schola Cantorum
- Vorhang
- 1. Lockspiel
- 2. Lockspiel
- 3. Lockspiel
- Allgemeine Bestürzung
- Das Mädchen ist unschlüssig
- Das Mädchen sinkt dem Mandarin in den Schoß
- Die Strolche springen hervor, ...
- Plötzlich erscheint der Kopf des Mandarins
- Die erschrockenen Strolche beraten aufs Neue
- Die Lampe fällt zur Erde, erlischt.
- I. Introduzione
- II. Giuoco delle coppie
- III. Elegia
- IV. Intermezzo interrotto
- V. Finale
- Grave
- Molto rallentando (bar 100)
- Pesante (bar 201)
- Adagio (bar 229)
- Adagio (bar 370)
- I. Andante amoroso
- II. Allegro misterioso
- III. Adagio appassionato
- I. Modere - New York Philharmonic
- II. Assez lent
- III. Modere
- IV. Assez animee
- V. Presque lent
- VI. Assez vif
- VII. Moins vif
- VIII. Epilogue
- Prelude
- Tableau I. Danse du rout et scene
- Tableau II. Pavane de la belle au bois dormant
- Tableau III. Les entretiens de la belle et la bete
- Tableau IV. Petit poucet
- Tableau V. Laideronnette, imperatrice des pagodes
- Apotheose. Le jardin feerique
- Bolero, M. 81
- Part I, Introduction - New York Philharmonic Orchestra / Camerata Singers
- Part I, Danse religieuse
- Part I, Danse generale
- Part I, Danse grotesque de Dorcon
- Part I, Danse legere et gracieuse de Daphnis
- Part I, Lyceion entre et danse
- Part I, Nocturne
- Part II, Introduction
- Part II, Danse guerriere
- Part II, Danse suppliante de Chloe
- Part III, Lever du jour
- Part III, Pantomime
- Part III, Danse generale
- Suite No. 1 in F Major, HWV. 348, I. Ouverture
- Suite No. 1 in F Major, HWV. 348, II. Adagio e staccato
- Suite No. 1 in F Major, HWV. 348, III. [Allegro]
- Suite No. 1 in F Major, HWV. 348, IV. Andante
- Suite No. 1 in F Major, HWV. 348, V. [Allegro da capo]
- Suite No. 1 in F Major, HWV. 348, VI. [Allegro]
- Suite No. 1 in F Major, HWV 348: VI: Air
- Suite No. 1 in F Major, HWV. 348, VIII. Bourree
- Suite No. 1 in F Major, HWV. 348, IX. [Allegro]
- Suite No. 1 in F Major, HWV. 348, X. Hornpipe
- Suite No. 1 in F Major, HWV. 348, XI Minuet
- Suite No. 2 in D Major, HWV 349, I. Allegro
- Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe
- Suite No. 3 in G Major, HWV 350, I. [Sarabande]
- Suite No. 3 in G Major, HWV 350, II. Rigaudon
- Suite No. 2 in D Major, HWV 349, IV. Lentement
- Suite No. 2 in D Major, HWV 349, V. Bourree
- Suite No. 3 in G Minor, HWV 350, IV. Minuet
- Suite No. 3 in G Minor, HWV 350, VII. Gigue
- Suite No. 2 in D Major, HWV 349, III. Minuet in D Major
- Act I - Introduccion
- Act I - Atardecer
- Act I - Danza de la molinera (Fandango)
- Act I - Las uvas
- Act II - Danza de los vecinos (Seguidillas)
- Act II - Danza del molinero (Farruca)
- Act II - Danza del corregidor
- Act II - Danza final (Jota)
- Ameriques
- Rhapsody in Blue - Instrumental
- Land Of The Gay Caballero - Instrumental
- Someone To Watch Over Me - Instrumental
- I've Got A Crush On You - Instrumental
- Do, Do, Do - Instrumental
- Mine
- He Loves And She Loves - Instrumental
- Bronco Busters - Instrumental
- Oh, Lady Be Good - Instrumental
- 'S Wonderful - Instrumental
- Love Is Here To Stay
- Sweet And Low-Down - Instrumental
- Blue, Blue, Blue - Instrumental
- Embraceable You - Instrumental
- He Loves And She Loves - Instrumental
- Love is Sweeping the Country
- Strike Up The Band - Instrumental
- But Not For Me - Instrumental
- Promenade - Instrumental
- I. Gnomus - Instrumental
- Promenade - Instrumental
- II. Il vecchio castello - Instrumental
- Promenade - Instrumental
- III. Tuileries - Instrumental
- IV. Bydlo - Instrumental
- Promenade - Instrumental
- V. Ballet des petits poussins dans leurs coques - Instrumental
- VI. Samuel Goldbenberg and Schmuyle - Instrumental
- VII. Limoges - Le marche - Instrumental
- VIII. Catacombae (Sepulcrum Romanum) - Instrumental
- Con mortuis in lingua morta - Instrumental
- IX. La cabane sur des pattes de poule - Instrumental
- X. La grande porte de Kiev - Instrumental
- La Valse, M. 72
- Einleitung
- Von den Hintersweltern
- Von der grossen Sehnsucht
- Von den Freuden und Leidenschaften
- Das Grablied
- Von der Wissenschaft
- Der Genesende
- Ziemlich langsam in Viertein
- Das Tanzlied
- Das Nachtwanderlied
- Langsam
- Der Held (The Hero)
- Des Helden Widersacher (The Hero's Adversaries)
- Des Helden Gefahrtin (The Hero's Companion)
- Des Helden Walstatt (The Hero's Battlefield)
- Des Helden Friedenswerke (The Hero's works of Peace)
- Des Helden Weltflucht und Vollendung (The Hero's Retirement from the World and Fulfillment)
- I. Requiem - Musica Sacra Chorus / New York Philharmonic Orchestra
- II. Dies irae - Dies irae
- II. Dies irae - Tuba mirum
- II. Dies irae - Liber scriptus
- II. Dies irae - Quid sum miser
- II. Dies irae - Rex tremendae
- II. Dies irae - Recordare
- II. Dies irae - Ingemisco
- II. Dies irae - Confutatis
- II. Dies irae - Lacrymosa
- III. Offertorio - Musica Sacra Chorus / New York Philharmonic Orchestra
- IV. Sanctus
- V. Agnus Dei
- VI. Lux aeterna
- VII. Libera me
- I. Allegro - New York Philharmonic Orchestra / Masur, Kurt
- II. Adagio, ma non troppo
- III. Finale. Allegro moderato
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